It's odd to me that I haven't commented on this film yet, since it's probably in my top 10 movies of all time. But sometimes we forget about the 'classics'; the ones we could sit and watch 1,000 times and never ever get sick of. This is one of those films for me, and for quite a few people I know.
The
basics of the story are a little farfetched, but play well with the cast and
twists involved. Dennis Leary is a cat burglar who has a job go a tad wrong, in
a small town that’s difficult to escape during the ensuing man hunt. He ends up
taking refuge in the home of a couple on their way to divorce (Spacey and
Davis), with an incredibly dysfunctional family, and their son Jesse, who’s
preparing for his own life of crime.
Kevin Spacey and Judy Davis really are incredible, both individually and in
terms of their chemistry. That's one of the most brilliant things about this
film. The few moments you see real tenderness between them (particularly when
they have reason to worry for their son), the love and passion they once shared
is evident. Just when you think, `Why the hell are these people still married?'
you see exactly why they haven't split. Yet when they begin to tear into each
other, you realize that two intelligent and witty people who love each other
can treat one another with amazing levels of venom.
As has been said before, and will be said MANY times again, Dennis Leary is
masterful. It would be accurate to say he's just playing the ‘character' he
adopts during his stand-up, but somehow that doesn't feel trite or overdone.
Basically imagine that the man who praises the symbiotic relationship of beer
and cigarettes is also a cat burglar who gets into this fix. How would he
react? The thing about Leary's performance is that, while the character isn't
new to him, the scenario is, and that's where his performance comes in. His
incredibly quick wit and solid reactions are only half of the performance, and
those alone would've made a great film.
Glynis Johns is a riot, as Spacey’s mother, and in a very atypical role for
her. Even in her youth I don't recall her ever playing a woman who was so
strong and abrasive, so that makes her unbelievably hostile portrayal all the
more fun. I would suggest watching this right after `While You Were Sleeping'
or `Mary Poppins for a hilarious contrast. In fact one fun little ‘guilty
pleasures' marathon could be made from the combination of `While You Were
Sleeping,' `The Ref' and then `Two If By Sea'. Christine Baranski has become
one of the most amazing character actresses, despite her incredible leading
lady ability. Once again she shows her superior comedic timing, and an ability
to make you like the most unlikable character. In fact I wouldn't mind seeing
her and Leary team up in a screwball comedy about a guy whose older sister
makes his life hell. They bounce off each other the way Davis and Spacey do.
Among the less visible supportive cast there are also some great stand outs.
Phillip Nicoll and Ellie Raab are pretty hilarious as Baranski's kids who don't
get the most consideration from their mother. Richard Bright does some
interesting work with Leary's alcoholic wheelman, and he gets some good laughs
without resorting to drunken pratfalls. John Scurti's lieutenant of the Bay
Brook police force is predominantly annoying, but his informing the pompous
influential resident (well played by Robert Ridgely) that he slept with his
wife 4 times gives you a serious grin. Also fans of the Law & Order
franchise should keep an eye out for a brief giggle courtesy of J.K. Simmons
and an entertaining cameo from B.D. Wong as the real therapist that Leary's Gus
later impersonates.
While the story is somewhat original, it's really the characters, dialogue and
acting that dominate this piece. However the cinematography is well done,
particularly in the beginning during the robbery scene. The set decoration
should also be noted, both in terms of the beautiful house which centers the
film, and when it comes to the ‘interesting' Christmas feast Judy Davis'
characters creates. I also thought the ending was really perfect, despite some
comments I’ve read to the contrary. After all that Leary's character learns
from and teaches this family, it would've been a lousy payoff to have him get
caught. This is especially true after the conversation where he explains just
how great his life ISN'T to the kid Jesse. You doubt he'll ever settle down
after viewing quite such a dysfunctional family, but you wonder if he'll at
least avoid small towns from now on. Forget waiting for Christmas, this movie
is great any time of year.
© CleverTitania.com 2009